Animosity Vs. Unity

I recently went to a gig that was a mixture of genres, with a hope to enjoy the unity of all music coming together.

I came out disappointed. Not only were the crowds unsupportive of the bands of other genres, the crowds were unsupportive towards each other. I seriously do not understand why people want to always pick a fight or purposely hurt people in the crowd. It doesn't matter if you accidentally push or shove or kick somebody. But never, ever is it acceptable when it is intentional.

I was also disappointed because a person who frequently did that was somebody I knew.
I spent the whole gig scorning at the kids who sang to The Times' "Tunjuk Perasaan". 'Rasa Sayang/ Tunjuk perasaan'... there's no use singing those lines if you are hurting each other at the same time. Is it so hard for the crowd to just, jump around and sing along without having to feel the need to shove somebody in the ribs or elbow people in the head?

Then there are those people who purposely enter the crowd during a band they never really listen to, just to get annoyed at the kids actually having fun. I saw a guy standing in the crowd with a frown on his face, clearly not enjoying himself, and there was a boy behind him having the time of his life dancing and singing along. He accidentally repeatedly slaps the frowning guy in the shoulder. All the guy could do was move away, but no. He had to kick the guy who was enjoying, ruining the moment for him. Why?

We're supposed to support each other in the scene and strengthen our unity that Aaron from Bane once appreciated. What the hell is all this animosity for? What can you gain out of it, other than people with hurt feelings and anger? Is that what you want in our scene?Hate?
Then by all means, keep on ruining the scene.

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With Love,

KL Mosher

A Justification

Friends discussed about my previous dislikes of the hardcore moshing/dancing, and compared it to my current active role in it. I sensed some sort of judgment that might have labelled me 'hypocritical' of my own beliefs, so here I write an explanation. You can read from my previous posts, one of the earliest, an undeniable dislike I showed once towards it. I won't deny it. I called the moves' kungfu moshing', especially the moves I disliked - but I still do, to an extent. I want those who read my blog and know me in person to not misunderstand my point of view.

I do mosh now in a way I once found weird, credited to my now expanded knowledge of the hardcore culture. But I want to make it clear that I do still find some hxc moves unacceptable (to myself personally). I am only active in the traditional two-step/pizzamaker and breakdowns, because those are all I need for release.

I don't do the continuous flying, spinning kicks, the flinging, windmill arms, because I still stick to what I believed two years ago; those intentionally and obviously will hurt people. I don't mosh to hurt, I mosh to release. I wrote before I do not understand why the crowd would move in synchronisation to free music, but I now realize it is not a negative thing; almost an angry dance of release.

I still shake my head at kids who 2-step and breakdown and all the wrong parts of a song. What I do now, is not what I hate, nor what I love. Just a release.

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With Love,

KL Mosher

Noisy Studio debates.

A stupid comment:

Those young punk rocker people were arrested because of excessive din and noise . The situation might be different if they attended an 'illegal" soothing sound of a jazz gig. Drugs are everywhere and all over the town. It is easily available in KL. Especially the eramine 5 . Even if they cant afford such drugs they still be able to get high by sniffing industrial glue which retails for a few dollars . Now more readers will know why the young punks are inhaling from a plastic bag and starts to hallucinate. That is glue inside the bag. And the situation gets worse when they ride their motorbikes. There must be a law for glue sniffers as the effect is same as drugs

my reply:

have you actually been to Noisy Studio? have you looked around? there are no 'residents' around there. and from the outside, you can hardly hear any noise coming from inside the place. whoever did the report did it with purposeful intentions to cripple the gig and cripple the image of the punk youths. the 'authorities' are frightened by the growing scene. it is likely, it happened before, it can happen again. Face the fact that drugs and abuse is found everywhere, not only amongst "these punk rocker people" and these guys are the ones highly blamed for it all. This is injustice for you.

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- Do they owe us a living? Course they fuckin' do. -

[Updated] Noisy Studio ratted on

What was Noisy Studio ratted on for? What crimes? None.

Noisy Studio, a long well-known area for gigs (mainly low budget punk gigs) near the Ampang LRT was raided by police yesterday night during Berantakan's Album Launch.

Four trucks arrived and a total of 160 people were arrested and brought to the station. A few foreigners and mostly Malaysians.

Apparently someone ratted on the gig to the police, for reasons unconfirmed yet.

But that is such a fuck up thing to do. Why? No way in hell it could've been due to 'noise' because I've hung out outside the place many times and I can tell that the music inside the studio can hardly be heard and considered as 'noise' from the outside.

Because of this, the equipments might be taken away from the studio and the upcoming gigs might have to be postponed. (This might include Speak Out, Dance Punk Party and of course Whatever That Means & Kill The Apprentice LIVE @ Noisy)

What else is there to say?

What we do is not a crime.

Whoever it was who tried to make it seem like a crime;

rot in hell.

Thank you.

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With Love,

KL Mosher

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http://www.mmail.com.my/content/37929-123-held-illegal-punk-rock-gig#comment-19176

AMPANG JAYA: Police arrested 123 youths, including the daughter of a bass player from a famous mid-80s rock band, and crippled an illegal punk rock gig at a double storey premise in Kampung Baru, Ampang, yesterday.

The raid at 11.30pm was conducted by the crime investigation department and narcotics crime division of the Ampang Jaya police headquarters. The youths, aged between 15 and 35, were arrested after police received complaints from residents about the noise.

Ampang Jaya district deputy police chief Supt Amiruddin Jamaluddin said when police raided the place, some were found high on drugs.

Also nabbed were 11 foreigners, including six Australians, two Americans and three Indonesians.

"We found 20 under influence of syabu, ecstasy and cannabis and another 20 were underaged,” said Amiruddin.

“They did not have a permit for the gathering. We also detained the owner of the premise for further investigation,” he said.

My comment (whether they approve or not, it's now here for all to read):

It is obvious this particular arrest is going to affect a lot of the youths' already negative outlook on the agents of society (gov, police, etc) and worsen their perspectives even more. These concerts have been going on for a very long time, and rarely anyone have gotten into serious harm that requires police's attention. It is pathetic that whoever reported this event only chose to do it now, during an event that disturbed nobody, an event of youths enjoying themselves, an event youths went to for an outlet from reality. I am pretty sure police have been aware of all these shows up until now. So why act only now? Looking for drug and alcohol abuse at a gig is definitely a prejudiced move; punk gigs are considered delinquent and stereotypically bad. But if you compare the activities and intentions that are in a gig to a CLUB, you'd find out the police who did the arrest on this studio wasted their time, when they could've gone to a club somewhere and arrested a lot more who actually are out for trouble. As for the gig being illegal? Who's to blame? The society is so strict on the religious values and 'righteous' values, will it be easy for us to get a permit for events like these? No. And getting a legalized permit would enter the event in the government's system, which would most likely cause even more of unwanted attention from the police body, which the youths do not FEAR, but merely wish would leave them alone. Have you ever heard of people being arrested purely because of their outfit? It only happens here. Come on, you get more corrupt minds in suits than in extreme/young clothes. Organizing and attending these concerts are part of the youth body, don't tell me the government is intending on tarnishing this growing part of society. On a more positive outlook; concerts bring people from outside the country in. In the music world, our neighboring countries envy Malaysia's scene. It does us well. So if I were one of the upper men, I would just keep quiet and let things be, because the events bring Malaysians and non-Malaysians together, and it is the events that spark an interest in many youths, making them proud of their country.

A small scene with big dreams

It kills me when I look at some things people who are completely unaware of our scene say (whether they are from or not from Malaysia). It's even worse when they are people who actually reside in Malaysia and perceive the place as their home. People who have been influenced so much into thinking "oh-my-god, international bands, awesome stuff, blows my mind, nothing can compare to these bands who are famous, these bands who are not your friends, these bands you need to go through security to meet!". These people who indulge in the intangible that they forget to appreciate those that are nearby and reachable. These people who look down on the things in front of them.

I have read somewhere of a person who has never received any promos, materials of any sort from Malaysia, but somehow manage to find a judgemental point of view, gutsy enough to say "releases from that area tend to be crap". Where's your proof? Where are you going to hide your face if you come down and witness a gig for yourself? Sure we do have crap gigs, but so do other countries all over the world. It isn't based on WHERE, as I have said once in a previous post. Sure, we do not have havoc similar to HellFest at our hardcore gigs, but the music is still good, the crowd is still devilish, the people still unite. Who gives a shit if the country is small and we are not known enough, when we have our own fun and we share our own happiness amongst one another? When will people understand, you don't need to be a colossal, rich and famous country like the US to have a strong ground of music? When will people realize that music did not just evolve from ONE place, but music found at one area can also be found in many others? You cannot say Asian music is shit, because Asian music can be similar to other music. You can't say Malaysians don't know how to produce, because it has been obvious that we have amazing music producers and bands around our country, some yet to be discovered, some already are.

We wouldn't have Restraint being compared to Sworn Enemy or Hatebreed if our music was shit. You wouldn't have Zee Avi being compared to Norah Jones, or Love Me Butch compared to Deftones, or big otais like our own Cromok being mentioned once in a Metallica interview as a "true meal band".

I also once came across a guy who rudely named our music scene as shitty, and compared our bands to Coldplay. When I asked him if he had even heard any Malaysian bands before, not those stupid songs you hear in a mini-market or whatever, he went 'no'. So who the fuck are you to judge? If I placed him in front of any random gigger, and told them to compare their music knowledge about international bands, he would've lost. No doubt.

Just because our scene is small, and hidden, and unexposed, it doesn't mean our minds are the same. The scene is our pillow to fall back on, but our minds are free to roam anywhere and everywhere. How would we get inspiration for music if we were unexposed to the outside world? Yeah, we do have jungles in Malaysia, but this does not make everybody living here orang kampungs. Fucking re-set your minds people. I have spoken to big acts like Shai Hulud and Buzzcocks, who were amazed at how active the scene was. I had a white guy attend a Buzzcocks gig in Malaysia and was completely blown away by the number of people in crust pants and mohawks and safety-pins he saw attending the show, unaware that there were even punks in the country. We have had overseas bands willing to come more than once because they loved the crowd that much. Our scene is our home, this feeling should be felt for every country with a local scene. Home.

We have Singaporeans loving our scene more than their own (though they should really support their own scene too) because of the pure unity and positive vibe they get from our scene. Okay, we're not a bunch of hippies, we have chaotic incidents too, but it's normal in a scene. It doesn't matter the size, it doesn't matter the place, as long as there's a scene, there's a dream and we fight for it.

You cannot simply judge music before hearing it, or judging the existence of a scene before attempting to find it. That just makes you an ignorant, oblivious and shallow person unworthy of being appreciated as a music-fan.

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With Love,

KL Mosher